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Visiteur: When British traders landed on Indiaâ€™s shores in the 1600s, they arrived in search of spices and silk but stayed for centuries â€“ leaving behind a legacy that would shape the nation long after their colonial exploitation ended: the English language.

Over the centuries, English seeped into the very fabric of Indian life â€“ first as a tool of commerce, then as the language of law and, eventually, a marker of privilege.
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Now, after more than a decade of Hindu-nationalist rule, Prime Minister Narendra Modiâ€™s Bharatiya Janata Party (BJP) is mounting perhaps the most significant challenge yet to the languageâ€™s place in India.

â€œThose who speak English will soon feel ashamed,â€ Home Minister Amit Shah said last month, igniting a heated debate about national identity and social mobility in the polyglot nation of 1.4 billion.

While Shah did not mention Indiaâ€™s former colonial masters, he declared that â€œthe languages of our country are the jewels of our cultureâ€ â€“ and that without them, â€œwe cease to be truly Indian.â€
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Spoken behind the walls of colonial forts and offices, English in India was at first the language of ledgers and treaties.

But as British rule expanded from the ports of Gujarat to the palaces of Delhi, it became the lingua franca of the colonial elite.

At independence, India faced a dilemma. With hundreds of languages and dialects spoken across its vast landscape, its newly appointed leaders grappled with the question of which one should represent the new nation.

Hindi, the predominant language in the north, was put forward as a candidate for official language.

But strong resistance from non-Hindi-speaking regions â€“ especially in the south â€“ meant English would remain only as a temporary link to unite the country. Itâ€™s a legacy that endures to this day â€“ and still rankles some.

â€œI subscribe to the view that English is the language of the colonial masters,â€ Pradeep Bahirwani, a retired corporate executive from the southern city of Bengaluru, said, adding: â€œOur national language should be a language whichâ€¦ has got roots in India.â€

Visiteur: When Hussain AlMoosawi arrived home, he didnâ€™t recognize anything.

The Emirati photographer, who had spent eight years studying in Australia, returned to the United Arab Emirates (UAE) in 2013. Heâ€™d missed a real estate boom of dizzying proportions: not just new buildings, but new districts.
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More than that, the buildings of his childhood were disappearing, replaced by shiny new skyscrapers.

But for AlMoosawi, these international icons were not the urban fabric of his home: it was the oft-overlooked, mid-century office towers and residential blocks squeezed between new highways and overshadowed by luxury developments that felt most familiar.

It sparked a desire to â€œunderstand the urban context of the UAE,â€ and AlMoosawi set out to meticulously document and capture these underappreciated buildings, â€œand reimagine the city as if it were the â€˜80s, the time when I was born.â€
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Initially focusing on industrial landscapes, temporary structures and air conditioning units, he began to notice symmetry in many of the buildings he was photographing, inspiring his current project: facades.

â€œFacades are like a face,â€ said AlMoosawi. â€œItâ€™s something that people connect with.â€

His bold, geometric images strip away context to spotlight the character and diversity of everyday buildings. Using a telephoto lens to shoot close-ups from the ground or elevated positions, AlMoosawi carefully frames out distractions and sometimes removes minor obstructions like lampposts in post-processing.

So far, the 41-year-old, who is editor-in-chief for National Geographic AlArabiya Magazine, has photographed over 600 building?s across the UAE, and next year hopes to complete his collection in Abu Dhabi, where he lives.

In the long term, he hopes to turn the â€œlifetime projectâ€ into an interactive archive that both preserves urban heritage and invites viewers to rediscover their own city.

â€œOur cities arenâ€™t big, in terms of scale, compared to many other cities,â€ said AlMoosawi. â€œBut then they have a story to tell, they have things between the lines that we donâ€™t see, and my quest is to see these things.â€

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